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Covid​-​19 Vol. 1 Incubation

by Tin Can Luminary and the Orchestra of the Unwanted

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1.
Inhalation 06:29
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2.
Coronation 05:49
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3.
Carried on a Breath 04:39
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4.
The Carrier 03:29
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5.
An Unmarked Trail of Disease 03:28
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6.
Lament 03:55
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7.
Airborne Pathogen 03:30
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8.
A Matter of Time 04:04
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9.
Symptoms Begin to Show 04:12
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10.
The Economy Grinds to a Halt 11:29
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about

Covid-19 Trilogy

Late in 2019, a novel corona virus infected human beings for the first time around the city of Wuhan, China. In time, both the US, and the Chinese governments would accuse each other of releasing the virus as an offensive biological weapon, but most virologists assumed that this new disease had evolved naturally from a strain of virus common in bats. This new disease, dubbed “Covid-19” killed thousands of people in China. The Chinese government took drastic measures to contain the spread of the disease, restricting the movement of millions of people. However, in early 2020, the new disease spread around the world, and as governments around the world struggled to slow the spread of the disease, their efforts promptly brought the global economy to a screeching halt.

Around the world, governments instituted “social distancing,” and prohibited people from gathering in groups, closing bars, nightclubs, restaurants, theaters, shopping malls, sporting events and concert venues. Even churches and courts of law closed their doors in an effort to stop the spread of the disease. From China, Covid-19 spread quickly to Europe where it killed tens of thousands of people hitting Italy, Spain and the UK especially hard. Soon after, the disease took hold in the US where the death toll quickly surpassed 100,000. By June of 2020, the whole world had changed.

The economic costs stagger the imagination. Unemployment surged to levels not seen since the Great Depression. Businesses not deemed “essential” hemorrhaged money and many never reopened. Fuel prices fell, as did global carbon emissions as the whole world stayed at home and sheltered in place, for months on end. People began chafing at the new “social distancing” policies. The human need for contact conflicted with the understood necessity of isolation. Everyone donned masks and gloves whenever they ventured out of their homes, but their eyes told the story. People wanted to get back to normal, but normal was gone. The world would never be the same again.

I created the music in this trilogy during this global transformation. California’s “Shelter in Place Order” confined me to my off-grid solar-powered studio in Humboldt County and offered the perfect opportunity to tinker with my growing collection of unique, homemade musical instruments. The Covid-19 Pandemic dominated the news, and impacted everyone in some way, during this time, making its influence impossible to deny, so I acknowledge that influence and impact in the titles of these three albums. I composed the music for the Covid 19 trilogy between January and May of 2020 using instruments I created myself from recycled materials and found objects. I think this music conveys the uncertainty, the sense of wonder, as well as the foreboding, anguish and grief that I felt over what happened, what’s coming, as well as what, and who, we lost forever.

credits

released July 21, 2020

John Hardin designed and built all of the unique instruments heard on this album from recycled materials and found objects. He also composed the music and produced the album in his solar-powered off-grid studio

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John Hardin/Tin Can Luminary San Francisco, California

John Hardin lives Off-Grid deep in the forest in Northern California where he produces original music in a solar powered studio. He makes many of his own instruments from recycled materials and found objects. He seeks to transcend civilization through music, so he rejects musical traditions born of civilized culture and instead cultivates wild, feral, and untamed musical impulses. ... more

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